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Fashion, Glamourtunist, On the Carpet, WERK!

Black Women STAY Saving the Met Gala Red Carpet

May 2, 2017

by Eric Darnell Pritchard

To remix the first line of Nobel Prize winner Toni Morrison’s novel “Paradise,” they SLAYED the white girls first, with the others they took their time.

When people say “it’s no shade,” they usually mean it’s shade, but what follows is not shade it’s just a fact. Black women stay saving the Met Gala red carpet. And before you come for me please know, to quote another verbal genius Ms. Nene Leakes, “I said what I said.”

Come on ya’ll, if Rihanna, Solange, and Beyonce all collectively decide not to attend there is probably not a reason to hold this thing.

Everyone should phone it in, ring up Mother Anna Wintour of the House of Vogue, and call in sick that day. This red carpet is the Oscars of fashion, it should not be anything like any other red carpet, and yet the only people who dress to make it feel that way are pretty much Black women. And this year, with Tracee Ellis Ross, Helen Lasichanh, and Zendaya all deciding they to have come to collect our edges, it is ever more undeniable and this year, just like every year, there are receipts.

For those who do not know, every year since 1971 the Met Gala is always built around a theme. It is usual that the theme intersects with the theme of an exhibit that has been curated for the Metropolitan Museum of Art Costume Institute. Themes in recent years include 2013’s “Punk: Chaos to Couture,” 2014’s “Charles James: Beyond Fashion,” 2015’s “China: Through the Looking Glass,” and 2016’s “Manus x Machina: Fashion in an Age of Technology.”

The theme of this year’s gala was “Rei Kawakubo/Commes des Garçons,” a retrospective of the work of the legendary fashion designer and her fashion label which has been at the forefront of fashion for 44 years. Kawakubo, who the New York Times calls the “oracle of fashion,” has always sat atop her perch pushing fashion beyond the boundaries of how they think about the shape, texture, color of a garment, but also beyond the limits of the industry and its preconceived notions of the body itself.

With such an imaginative, courageous, and exciting sartorial visionary as the theme everybody was ready for this Met Gala to take us to and over the edge, just like Kawakubo. WEEEEELL, I am not sure where everybody else’s memo about the theme of the show went, but apparently only Black women got it. 

As I watched the red carpet unfold, one person after the next took to the carpet in pretty gowns, wonderful make-up, hair done for the Gods (or in the case of Jaden Smith, hair cut off and fashioned into a bouquet of locs), and I was completely and utterly surprised and also bored, bored, bored. Only a sprinkling of people seemed to dress with Kawakubo and Commes des Garçons in mind.

There were only a sprinkling of folks who rose to the occasion, which is great, but they are the same people that ALWAYS rise to the occasion.  Rihanna, who is basically a couture wonder woman at the Met Gala EVERY. DAMN. YEAR.

Rihanna at the Met Gala 2015-2011 (left of screen to right)

Riri read her mail and was like, I don’t know what the rest of these people are wearing to the Commes des Garçons-themed Met Gala, but I think I’ll wear…wait for it…Commes des Garçons!

No, I am not saying all you have to do is wear the designer that best fits the theme in order to slay. That could go basic and wrong too. There are tons of examples of that in previous years actually. But, it would be a great start, especially with an aesthetic so well defined, known, and celebrated throughout the industry for over four decades.

I don’t know who these stylists who sent people to the Met Gala in junior prom dresses are. Whoever told them that if their client wore the same basic thing one could (and they do!) wear to the twenty thousand awards shows before and after the Met Gala that they would win them the “Gag Award” LIED, lied big time. Why they put their clients in looks that are violently opposed to Kawakubo’s own aesthetic or the idea of avant grade is a mystery only Jessica Fletcher can solve, but either way they are definitely doing their clients a disservice.

But maybe that’s the point. Maybe they take a medicalized “first do no harm” approach to fashion, and are more content to be on the safe list and not the standout list, but in the economy of celebrity isn’t standing out actually the point? You can’t stand out with no risk. As my grandmama taught me, you gotta bring some to get some.

Next to Rihanna was also Tracee Ellis Ross, who must have heard that Zendaya was gonna come dressed like her mama circa the 1970s (and that’s no shade, Zendaya looked amazing and was, aesthetically, still in the wheelhouse of Comme des Garçon serving us volume, volume, volume head to toe in Dolce and Gabbana!) …

Zendaya

 

… and so Tracee decided she, like Rihanna would work with the fashion challenge for the evening and wear Commes des Garçons too. And thank God she did!

Tracee Ellis Ross

And there were others. Helen Lasicanh, the partner of Pharrell Williams clearly read her mail:

Solange, another person we can count on every single year. I present the receipts:

2016

2015

And this year she continued to bring it, gave us something to talk about, and was gorgeous as always.

Solange wearing Thom Browne at the Met Gala, 2017

 

Do note that this is NOT Kawakubo/Commes des Garçons. This look Solange is wearing is by the always exciting Thom Browne. When I saw it I thought for sure it was Rei Kawakubo’s work, and I was wrong. But the fact that I even thought it was Kawakubo is a good look on Browne and Solange, they get it. This look is totally in the Browne wheelhouse and plays with some of the house codes of Kawakubo’s aesthetic. Thom Browne, someone who like Kawakubo pushes the envelope in menswear and womenswear season after season, gets why you can’t be basic on tonight and gave us something memorable. Sure, Buzz feed joked that Solange’s look was reminiscent of a sleeping bag for a camping trip, BUT they also said she still looked better than everybody else throwing her shade for her REI fashionS. She wins. I rest my case.

To be fair, there were some Black women who came on this beautiful but predictable red carpet too. Kerry Washington, Naomi Campbell, Halle Berry. All wore fabulous gowns and on any other night would be on a best dressed list for me, but on THIS NIGHT they faded into the background. They know better and needed to do better. Also, let me acknowledge that not all white women came to be safe and sad, but I just think Beyonce called them and was like “hey Katy Perry, hey Julianne Moore: I’m not going to make it this year, I am too busy posing in a couture toilet paper hat and bikini for my baby shower pictures. Can ya’ll come to slay and help my sister and Rihanna out?” And they was like, “yeah, we got you.” So we gonna log that too under Black women saving things, even if this conversation only occurred in my head (paints nails). Shout out to Katy Perry and Julianne Moore who came with it too. I was intrigued for sure, I mean it.  And Pryiyanka Chopra, I see you in that Ralph Lauren trench coat dress. You too came to slay!

Anyway, Beyonce, we’ll be waiting for your return. We would have loved to see what you would have done with the theme, and we missed all of this last night:

 

Here’s hoping at Met Gala 2018 you, Rihanna, Solange, Tracee Ellis Ross, and Helen Lasicanh will have even more company.

News

On Women’s Marches and Fashion – This is What Democracy Looks Like (Fashion Conscious: A Column)

March 9, 2017

by Dominique Michelle Davis

The recent Woman’s march and the ability of women to organize in a effort to protest misogyny and oppression inspired and saddened my heart to know that in 2016 as far as we’ve come we still haven’t overcame. What was inspiring was the fact that women were united and also embraced the support of males in acknowledging what has been a systemic issue in the United States and especially in the politically arena. The march was and is what democracy should reflect. Women, men, children, LGBTQ people, people of color, young and old all chanting in chorus for basic human rights and speaking truth to power.

How does this relate to fashion, pop culture and beauty? Because the beauty of life is that it comes in all forms, shapes, sizes, cultures and experiences. How we fashion our lives to cope with the struggle and challenges of reality may be only the most outer layer of us expressing ourselves, but who would want to be vulnerable and share more when the mere appearance presents a challenge and barrier toward forming a deeper connection? These are just my thoughts about the power of visual appearance and the symbolism it may represent for individual expression.

During the march a young lady was dressed in what upon first gaze was a bit odd and eccentric. Then it dawned on me, she was dressed as a Suffragist.I remember learning about this in history class, and I can acknowledge and site the names of leaders such as Susan B. Anthony and the Women’s Temperance movement with vague recollection, so I was moved to do some fact checking to jog my memory. The task of researching this bit of history also made me realize how easy it is to forget the suffering and struggle of the past when in present day it appears that equal rights is within reach. One of my favorite signs during the march stated “I still can’t believe that we still have to march for this.” That was my exact sentiment and it felt reassuring to be among a crowd who was just as dismayed and angry with the system who would vote for a reality star with no proven track record of what it takes to move a country toward a future that is accepting and embracing all life and experiences; or for that matter, how to build relationships with other countries to foster global and non-exploitative economic prosperity.

Women’s “dress codes” has evolved since the Temperance Movement. In fact, women’s dress in the 21st century is, as it was during the dress reform movements of the 19th century, a progressive movement in and of itself. Women’s garments were very restrictive in function and style and today, in America, we have the option to choose. Hopefully that will remain unchanged under this new administration. Laughing, but very serious.

Beauty, Fashion, On the Carpet, Pop Culture, WERK!

Dominique’s Oscars 2017 Recap

February 27, 2017

by Dominique Michelle Davis

Jimmy Kimmel’s witty and clever one-liners infusing political commentary with Hollywood elite was right on time and made this Oscars much more fun and funny to watch than in recent years. Though many were understandably not happy with his handling of the cast and crew of “Moonlight ” almost leaving the evening without the award that was rightfully theirs, Kimmel did shine with comic moments like his tweeting President Trump live and referencing the “overrated” Meryl Streep tweet from the petty President. One of my favorite moments of laughter.

The other highlight of the evening was Moonlight receiving awards for Best Supporting Actor and Best Picture. The 2017 Oscar Awards brought a refreshing and much needed perspective in presenting inclusivity. I was in awe and admiration of Mr. Farhadi’s refusal to attend the awards because of the ridiculous and outrageous ban that President Trump has enacted against immigrants – documented and undocumented. It was inspiring to see Hollywood Celebs using this platform as a means to promote human rights and speak in opposition of laws that go against the very nature of the founding principals of the United States of America.

On the fashion front, here are my Best Dressed Looks for Oscar Night 2017:

Tony, Emmy, and now Oscar winner Viola Davis wearing Armani Privé.

 

Janelle Monae wearing Elie Saab Couture.

 

Last year’s Best Actress winner Brie Larson, wearing an Oscar de la Renta gown.

 

Nominee for Best Actress, Ruth Negga of the film “Loving,” in a glorious custom Valentino in the signature “valentino red.”

 

We always love Chrissy Teigen, and we also always love her in Zuhair Murad. A perfect match.

 

The “around the way girl” herself, Taraji P. Hensen, stealing the show as always in a sexy, sophisticated, Alberta Ferretti gown.

Fashion, On the Street

Hat-titude : Our Favorite Fall Accessory

November 22, 2016

By Dominique Michelle Davis (photo credit above: Getty Images)

One accessory that I have always admired most is the woman or man who rocks a hat to complete an ensemble. In thinking about the fall trends for hats this Fall, this piece is giving a little history to the 2016-2017 fall winter hat trend we see on the runways and also on the streets. Brimmed hats: the Fedora, bucket hats, pork pie hats, and british boilers are a few of the hats forecasted for the Fall are officially everywhere.

The Fedora was popular as early as 1891 and was popularized by Sarah Bernhardt in the play titled Fedora where Ms. Bernhardt wore a brimmed hat as a cross dressing heroine. Fedora’s typically have a wider brim while small brimmed hats similar to the Fedora are called Trilbies. Guiseppe Borsalino established Borsalino a hat company in 1857 and is one company that became well known for the manufacturing of the Fedora.

Photo credit: Vogue.com

Photo credit: Vogue.com

Photo credit: Vogue.com

Photo credit: Vogue.com

The bucket hat was originally made from wool felt or tweed cloth and were traditionally worn by Irish farmers and fishermen as protection from the rain.

Photo credit: Style Dumonde

Photo credit: Style Dumonde

Photo credit: Harper's Bazaar

Photo credit: Harper’s Bazaar

And “Pork Pie” hats like those below were first worn by women in the 1830s.

Photo Credit: Hat and Headgear Love (Pinterest)

Photo Credit: Hat and Headgear Love (Pinterest)

Photo Credit: Hat and Headgear Love (Pinterest)

Photo Credit: Hat and Headgear Love (Pinterest)

Fashion, On the Carpet, On the Street

Are Dress Codes No Longer A Thing? (Fashion Conscious: A Column)

June 6, 2016

by Dominique Michelle Davis

In a recent discussion with a close friend the topic of appropriate dress attire was debated. I took personal offense to the attire worn to a business casual event and said as much, which got my gears grinding about the inception of formal dress codes and the purposes behind them. I went to my Emily Post book and scanned a few articles about western and eastern dress codes and the class and social status that dress can portray. There was clear evidence of a haves and the have not’s formation in the writing there, so it imagined people as being either wealthy or poor. Are we seeing a reduction in dress due to a reduction of the middle class? Or is it pure rebellion against restricted social structures that pre-approve style trends?

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Post is the author of the legendary etiquette guide. It is either loved or hated or some combo of both.

As a person who questions all forms of conformity within society I really had to think about why this particular issue bothered me so. I saw my friend as an extension of me, which was something (his attire) and someone I couldn’t control. I took personal umbrage because I knew that he was aware of the rules and chose not to oblige, yet, I choose to break dress code rules as a way to establish individual style and personal preference all the time.The great thing about people pushing back against codes of appropriate dress is that it encourages individuals who choose not to follow traditional and conservative paths of dress to the work of developing cultures and norms off the beaten path, something that could also then extend into their pursuing career fields and environments more accepting of their individual expression (or perhaps even changing the sense of what is and is not appropriate dress in some of those more restricting and conservative fields).

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A glimpse at some perceptions about acceptable and unacceptable work clothes.

The free spirit and conservative conformist within me polarizes my thoughts and led me to a temporary state of confusion and concluded with why do I even care how another person chooses to dress? I know from personal experience that I loathe when people try to dress me in what they deem to be appropriate for the context or setting, but sometimes it’s just easier to get along and go along than to stand my ground on the issue. Some battles just aren’t worth it. Some days I wish I could just go to work in jeans and a t-shirt. It’s not as if my intellectual capacity is in any way affected by my outward appearance. SO again, why was I so bothered?

The answer for me, and for many, is that what has been impressed as acceptable has molded my view for dress codes to be in alignment with venue and social settings. Deep down I admired my friend’s ability not to care about what other people think, yet his choice to choose that setting to make a point to be an individual had me less than pleased. My ability to recognize my conformity to rigid social structures of dress has helped to create a voice that I never knew could coexist with following a set of rules imposed against what some may call free will. It is important to also consider, put simply, that these rules are often in place to create new structures for disciplining people on the basis of their identity – especially gender, sexuality, race, and age – and that this too is reason to be very critical about too while also investigating our individual belief systems about dress codes. That is, what is the underlying statement or implication for statements we make about the dress of others particularly as it relates to systems of oppression, marginalization, and injustice?

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The Patriarchy always got something to say about fashion. These are facts.

In 2016 where the rule stands to be there are no rules, or moving further along those lines, do dress codes even still exist? And when is it ok to make a fashion faux pas? Kanye West’s recent display at the Met Gala speaks to previous writings by Dr. Eric Darnell Pritchard in an essay for Ebony Magazine called “Who Gets to Make a Social Fashion Statement?” In some respect, lending credence to artists who have created a platform have the ability to make socially conscious or unconscious statements with dress is a win for everyone as it disrupts rigid belief systems of propriety that limit who can and cannot transgress in everyday life.

NEW YORK, NY - MAY 02: Kanye West attends "Manus x Machina: Fashion In An Age Of Technology" Costume Institute Gala at Metropolitan Museum of Art on May 2, 2016 in New York City. (Photo by Kevin Mazur/WireImage)

photo credit: Kevin Mazur/WireImage

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We don’t know about these blue eyes, but I am here for this Balmain Trucker jacket and YSL boots though.

I am in no way in support of the blue eyed contacts Kanye wore to the MET Gala, or even suggesting that Mr. West was making a socially conscious statement, but one does have to question why he chose that venue, that setting and that platform to make a world debut of a clearly statement on representation and race by wearing blue eyed contacts after creating recent songs such as “Black Skinhead” and “Blood of the Leaves,” I’m just saying. I’m really interested in understanding his thoughts with his latest fashion statement and how it, as an example, might inform my larger comment here about social spaces and appropriate dress. Kanye’s introduction to the black skinned blue-eyed West was probably the most appropriate place to display his break. Maybe he actually knows the Bluest Eye and will enlighten us in his new album; title yet unknown.

Dress codes, and a lack thereof, ranging from white tie to grunge all fall within an economic class, and in many cases a performance of race, that has been normed by those included to be an inclusive safe haven. I think about a quote from Emily Post, “Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners, no matter what fork you use.” Fashion, personal style and dress codes create an outward outlet for freedom of expression, which also has the ability to offend our delicate sensibilities when it doesn’t align with constructed worldview that we’ve created. In this respect we see how the feelings of others can be both something that liberates, but also in the case if dress codes, can constrain and regulate people across difference and individual as well as communal modes of style for expression. Kudos to those who create their own lane, it takes courage to break the mold. Just maybe give those of us who aren’t prepared a heads up? Even if you do not give a heads up, there always seems to be a code to be included regardless. The code when you are breaking the social norm is you are not to be trusted because here comes trouble. It is worth it to think about what that response to dress code transgressions mean and what effect they have for the transgressors and also the transgressed.

 

Fashion

Uniform Madness? (Fashion Conscious: A Column)

May 2, 2016

(above: Eco-conscious haute couture look by Karl Lagerfeld of Chanel.) 

by Dominique Michelle Davis

Over the past few weeks I’ve begun to read Liberated Threads: Black Women, Style, and the Global Politics of Soul by Dr. Tanisha Ford, and reading Glamourtunist editor Dr. Eric D. Pritchard’s recent post of “Dissonance, Denim and Social Change,” I began to wonder about the origins of uniformed apparel as a sense of belonging to an outfit or organization demonstrating solidarity among its members. This brought my thoughts back to my very first “Fashion Conscious” column, when I learned and wrote about the first known fashion designer to create his own fashion label which was a break from societal norms placing him on the vanguard within the fashion industry.

In thinking about what keeps fashion current and moving forward are the artists that are willing to take risks and break from the traditional molds to present a different view for consumers. This could include incorporating political messages or an affront to societal rules by redefining hemlines, incorporating traditional and cultural ethnic inspired prints, color contrasts and mirroring nature. The Gucci spring/summer 2016 show perfectly exemplified breaking out of the mold and uniformity along multiple lines, especially mixing colors and prints on clothes and accessories in gloriously wacky ways.

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Gucci, Spring/Summer 2016.

I also think about the cliché term that history and fashion repeats itself which brings me to one of the current fashion trends forecast for this spring and summer which is 70s inspired suede and fringe garments. We’ve seen the look presented in the 2016 collections of designers Jonathan Sanders, Alberta Ferretti, Rebecca Minkoff and Olivier Rouesteing. Historic recurrence is thought to be the repetition of similar events in history.

Rebecca_Minkoff_spring_summer_2016_collection_New_York_Fashion_Week1

Rebecca Minkoff, Spring/Summer 2016

Staying in line with what was happening in the 1970s we could draw a few parallels to the current state of affairs in the decade of 2010. In the 1970s films like “Rocky” and “Star Wars” were released and the rise of technological advances saw of the first commercially available game being released. In 2015-2016, “Creed” and “Star Wars VII” were released and we see the advancement of social media networks such as Instagram, Snapchat and Kik.

Reviewing the political climate of the 1970s in comparison to the current state of affairs it is interesting and noteworthy to mention how the people continue to use threads as a method of communication to advance social change.In politics, the second wave of the feminist movement grew celebrating the fiftieth anniversary of the 19th amendment to the United Stated Constitution which also saw the Women’s Strike for Equality and other protests as well as Margaret Thatcher became the first woman Prime Minister in the United Kingdom in 1979, and of course in 1972 Shirley Chisholm became the first major-party black candidate for President of the United States and the first woman to run for the Democratic Party’s presidential nomination.

shirleychisholm-fashionEBONY

In 2009 the Lily Ledbetter Fair Pay Act was passed and in 2016 Hilary Rodham Clinton is running for the Democratic Party’s Presidential nomination for President of United States. With this in mind I think of Karl Lagerfeld’s recent eco-conscious haute couture collection for Chanel to be mindful to use repurposed materials and bringing an environmentally conscious collection to the forefront for consumers and fashion elite alike.

chanel-ecofashion

Karl Lagerfield’s recent eco-fashion collection for Chanel.

Dr. Ford and Dr. Pritchard shed light on how apparel was used to help bridge the advancement of blacks across the African diaspora and promote social change. Apparel has long been used to show solidarity in wardrobe uniformity across political structures to showcase party allegiance. The use of colors, and structure and likeness of uniforms creates and promotes cohesion and at the very least the appearance of harmony and conformity. Individual breaks and/or the use of uniformed apparel to break from rigid or traditional norms attempts to cause a disturbance to what has been understood to be acceptable. The ability to have free will and choice of how to appear clothed in public can be liberating and maybe evening therapeutic for a sense self expression. The use of apparel throughout history can be viewed as having multidimensional in its approach to represent a structure, a movement or a creative vision to spark a conversation for change.

Glamourtunist

Sightful Sensation: Style and Visual Culture (‘Fashion Conscious’ Column)

March 28, 2016
(ABOVE photo credit: from eco friend, a brain model made out of recycled denim).

by Dominique M. Davis

Ever wonder what causes your heart to skip a beat as you fight a damn near orgasmic reaction to the flyest pair of pumps, no wait, caged sandals, and the bag… the bag to die for paired with the perfect skirt and a lipstick that screams wear me NOW? The power of visuals is a powerful draw, presenting images that appeal to our senses and ultimately our desires. Marketing and advertising has a lot of influence in consumer purchasing behavior, but why and how? My interest in visual art and fashion as a visual art led me to do a little information gathering on visual art and how it influences or affects the brain and consumer purchasing behavior.

your-brain-and-fashion-1

In my search, I went through some articles on neuroscience and neurobiology that provided insight supporting how visual art has real affects on the brain in both perception and cognition. How does this apply to fashion, beauty and the arts? As we perceive images we assign meaning or interpret data to discern and make informed judgments and/or decisions. Culture and society has a huge influence on norms and customs which can affect consumer tastes preferences and purchasing behavior. Integrate marketing and advertising to appeal to emotional states of mind and the power of visuals can become that much greater in influencing culture.

Fashion and beauty (whatever that may mean to you) has the power to empower and transcend norms and traditional customs by incorporating messages from all walks of life and cultures. In an editorial for Ebony.com   entitled “Who Gets to Make a Social Fashion Statement?” Eric Darnell Pritchard cautions us to be more mindful of the inequality evident in   what politicized fashion statements are readily accepted and celebrated, and which are targeted for dismissal or punishment particularly when they visually disrupt norms.

Fashion is a visual art form that can be a creative outlet of expression in a culture bogged down in norms and customs. The images that we see can trigger a multitude of emotions and sometimes call to action. I think about Karl Lagerfeld’s latest haute couture collection for Chanel during Paris Fashion Week 2016 which focused on eco-conscious couture. This high fashion couture collection focused on environmentally conscious fabrics keeping the integrity of couture and incorporating socially conscious and environmentally friendly messages.

The power of visual art has a huge influential factor on society and culture, fashion as a visual art has the ability to evoke thought, appeal to emotional content, and allow for creative expression while still serving a functional purpose of clothing the body. That’s a lot for one brain to process.

Fashion, Film, On the Carpet, WERK!

Oscar ’16 Glamourtunists of the Night

February 29, 2016

In general we found this year’s Academy Awards red carpet to be quite uninspiring. No one really blew us totally away, and in general many of the people you look forward to seeing on the red carpet weren’t even at the show this year. Also, the lack of diversity in the Oscar nominations itself were repeated on the red carpet, as reflected in the fact that there were almost no people of color on the red carpet this year, and certainly none of our fashion faves. No Lupita. No Viola. No Salma Hayek. No J. Lo. It was very sad. We did manage to find some favorite looks from the men and women on the red carpet, and present you our Glamourtunists of the night:

Glamourtunists of the Night – Men

MichaelStrahan-Oscars16

The always handsome Michael Strahan stunned in a tourqoise tuxedo. He wore a similar such tuxedo in bourdeaux at the 2014 Oscars.

eddieredmayne-Oscars16

Eddie Redmayne went for a classic black tuxedo, this one from Alexander McQueen. The texture of the jacket juxtaposed to the lapel and pants looked great, as did the tailoring.

Glamourtunists of the Night – Women

Olivia Munn - Oscars 16

Olivia Munn’s coral stella McCartney gown had us at hello!

soarise ronan - Oscars16

Saorise Ronan’s custom emerald Calvin Klein was a serious show stopper. The color of the garment matched her hair color perfectly, and the plunging neckline and shimmer was definite sexy, hollywood glamour.

oliviawilde-Oscars16

This pleated, ivory dream gown by Valentino made Olivia Wilde a bell of the ball. The high-wasit line and peek-a-boo sides and cleavage baring top of the gown blended sexy and sophistication perfectly. The clutch was a bit too clunky for our taste, but everything else was perfect. Wilde’s hairstyle was also one of our favorite beauty looks of the night.

charlize theron-oscars16

Chile’ we are NEVER surprised when mother Charlize Theron comes to shut down the entire red carpet situation, and yet we are always left with our mouth hanging open by how glorious she looks. Her look last night had the same effect. Flawless! Our favorite thing about this look was the beautiful diamond necklace she wore that create the illusion of a cutout panel given where it draped between her skin and the gown.

brie larson - Oscars16

And last but not least, Brie Larson, the evening’s Best Actress winner in this cerulean, ruffle Gucci gown. The opulence of her very ornate belt is what elevated this look to such a big night without overwhelming the look itself. Well done, and congratulations Brie.

Fashion, News, Runway Review

#NYFW: Derek Lam is Totally My Valentine and…

February 14, 2016

… YES, I confess that I am totally just saying that because I want one of these gorgeous coats he showed in his Fall 2016 collection for New York Fashion Week, I already got a man. As for those extraordinary coats, here are the receipts:

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DerekLam2-Fall16

DerekLam3-Fall16

DerekLam1-Fall16

DerekLam8-Fall16

On the strength of these looks alone Lam’s show was, by far, among my favorite of today (being edged out just a teeny, weeny bit by Public School because their clothes make me think a lot and I’m a fashion nerd).  But to top off these already phenomenal looks, he also gave us this, and this, and that!:

DerekLam7-Fall16

DerekLam6-Fall16

DerekLam5-Fall16

Slayed. Annnnnd, scene.

 

-edp