By Dominique M. Davis
Eric already ran down the tea but I wanted to review the Met Gala from a lens of art being a realistic and economically viable career path. I wonder how often we as a society steer away from pursuing dreams and the creative arts from a lack of knowledge about the career paths and opportunities the field has to offer. Or maybe, I’m just speaking from personal experience, but had I known all of the different options that were available in the creative arts space and the ability to parlay academia into a creative niche I might have taken other paths in college. Or for that matter an overall working knowledge of multiple career paths in general. The ability to choose and make informed decisions in planning for one’s future is diminished by ignorance. So often in communities of color the lack of knowledge becomes the burden of the oppressed which can lead to a perpetual cycle of paucity; not only economically but in intellectual capacity. Scarcity of resources and financial means to support one’s self reduces higher order thinking in that the basic needs for self actualization are difficult to achieve under those circumstances. So the cycle of poverty persists. Reduced funding for school programs in communities heavily populated by black and brown people makes the access to career paths even more challenging.
The Former First Lady recognized the need for arts in education and led a national campaign to re-engage arts education in early childhood and elementary schools. The arts is and has been a source for escapism in transforming intangible concepts of pain and love into tangible, physical material. Symbolic representations have the ability to create space for dialogue, reflection, self expression and serve as a conduit or vessel for cultural exchange. The use of the arts as a practical tool in education could provide youth the skills to utilize multiple forms of intelligence and develop transferable skills for careers, having the ability to separate vocation from avocation or combine the two. Knowledge or lack thereof is one of the biggest challenges with gaining access to opportunities.
We know the Met Gala started as the annual fundraising benefit for the Metropolitan Museum of Art’s Costume Institute. But what you probably didn’t know is that the Costume Institute was started by two women who’s life work was rooted in community social work. Irene and Alice Lewisohn worked at the Henry Street Settlement house which worked with immigrant families from underserved communities in New York City. The Anna Wintour Costume Center is the home of the collection of The Costume Institute and was formally opened by Former First Lady Michelle Obama of the United States of America.
It’s our duty as leaders of the future to recognize talent and assist with the progression of transforming communities by providing information to the un or misinformed, and directing peoples to resources. How does this all relate to pop culture and the Met Gala? The arts have provided a national platform to combine social work initiatives with creative expression. To understand and realize that such careers exist and are attainable is the work that needs and must continue to be among the conversation when structuring early childhood and educational programming for students. Leaders recognize the need for change and work to achieve to make it happen.